Billboards, Hours, and the Post

Three micro reviews of movies recently watched.

Warning: plot spoilers!

Three Billboards Outside Ebbing Missouri

Great acting by Frances McDormand and Sam Rockwell. Woody Harrelson plays Woody Harrelson. The film is, on the whole, enthralling and tense right up until the time Harrelson’s character dies. After that, the pace was too uneven, and the atmosphere was somewhat limp. I cannot make my mind up if Peter Dinklage is there as a court jester or a serious character. He plays it straight, but the script veers too close to exploitation comedy for my tastes. Glad I saw it, but – unsurprisingly – not the brilliant film the critics seem to think.


Darkest Hour

The story is known, and it is not an action packed encounter. Lord Halifax’s cowardly streak has been fashioned out of thin air, and stretched beyond breaking point to create dramatic tension and a counterpoint to solid Winston. Oldman’s acting is just as over the top as the real Winston was, so that’s on target. The scene in the underground is daft, though it does mean I got my name on the screen for the first time in cinema history. See if you can work out how that happened. Better overall than ‘Three Billboards’ in my opinion.

The Post

S. L. O. W. Similar to Darkest Hour in that the story is known and lacks punch. Sure, people were risking their liberty, but a movie has to do a lot more than this one does to make the threat feel real. I thought Meryl Streep was on autopilot some of the time, and the script gave her little to work with. Similarly, Hanks was left high and dry by the ineffectual narrative he is asked to portray. The film looks good in all the right places, but has no punch, no bite, and little that endured in my memory. Blah.

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